Also, here's the list of franchises that went downhill after "trying to get with the times":
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It's not just something I made up. Check the links and you'll see.
Did you look into any of these? I'm going to have to assume not for various reasons -- e.g. your description of a one-off film like "Annihilation" as a "franchise," and the fact that this list includes freakin' Marvel comic books, which have had abysmally low sales numbers across the board for over two decades now and really only serve a purpose for the company in seeing print to keep trademarks alive for more lucrative endeavors (merchandising, film, etc.).
Also, this article you linked is calling "went broke" on "Solo"? And yet you still found it credible?
Even as a lifelong "Star Wars" fan who thinks "The Last Jedi"
was great, I didn't go see "Solo" and I still haven't bothered. It's on my "I'll get around to it" list. But I can think of plenty of reasons that have nothing to do with TLJ why "Solo" performed below studio expectations (i.e. still raked in crazy numbers most studios would kill for, but just not what Disney expected):
- It was too soon after TLJ
- It broke with the December release tradition established with the three prior films
- Probably most importantly, who gives a shit about a young(er) Han Solo story? We already had young Han Solo in the original trilogy, and it told me all I needed to know about the guy. I love the character, but sell this to me on more of a basis than "It exists"
- The trailer sucked, giving little to no reason to believe the movie would be anything but your typical competently compositioned by-the-numbers action flick
Again, I'm a lifelong SW fan. I'll be turning 33 this year, and I've loved the franchise since I was three years old. Yet I think TLJ was great, am hyped as fook for Episode IX, and have yet to give the slightest shart about "Solo" thus far.
Over and above this absurdity about "Star Wars," though, I have to call shenanigans on this b.s. about "Annihilation" -- one of the best sci-fi films I've ever seen.
It isn't trying to be "woke," in the first place (which anyone who has actually watched it could tell you =P), but its poor box-office performance is entirely attributable to 1) getting a bizarrely limited run on very few screens with very few showtimes in the U.S. while going straight to Netflix without a theatrical release in the rest of the world; and 2) opening on those few screens while "Black Panther" was still slaughtering the box office.
What are you even talking about? "Left behind"? You realize how many franchises went downward after they tried to show how "mature" they were, alienating their fans?
Also, Japan doesn't care about western censorship culture. That, and they're appealing to a wider audience than just their "older fans". The SC fanbase in general likes the sexiness, and if they took it away, they would leave in droves. The DOA guys even said as much about their series, which is why it's not "toned down", as much as it is tucked away but still present.
I may not agree with RB about this "left behind" notion, but you're terribly off base yourself with this "SC fans would leave in droves" notion.
You are clinging to particularities instead of understanding the bigger picture I'm trying to convey here. Every day you benefit from work thousands of other people do and 95% of the time you never even interact with those people, hell, often they live in foreign countries you will never even visit. Our civilisation is built on mediated co-operation where people join forces driven by overarching ideas and agreements instead of personal acquaintances.
None of that determines how we do or should
view one another, though. That's what you guys were discussing.